February 19, 2013

  • Best 'Required Readings'

    If there's one thing I don't miss about high school, it's the required readings, quarterly book reports, la la la. In college, they don't make us read non-sense - which is pretty cool. Along the way to AC, I did happen to read some things that didn't make me want to bash in my own skull. My favorite required readings:

     

    Five.

    Of Mice and Men

    Written by: John Stienbeck
    First Published: 1937
    Required: 9th Grade

    Two migrant field workers in California on their plantation during the Great Depression—George Milton, an intelligent but uneducated man, and Lennie Small, a man of large stature and great strength but limited mental abilities—are on their way to another part of California in Soledad. They hope to one day attain their shared dream of settling down on their own piece of land. Lennie's part of the dream is merely to tend to (and touch) soft rabbits on the farm. This dream is one of Lennie's favorite stories, which George constantly retells. They are fleeing from their previous employment in Weed, California, where they were run out of town after Lennie's love of stroking soft things resulted in an accusation of attempted rape when he touched a young woman's dress, and would not let go. It soon becomes clear that the two are close friends and George is Lennie's protector. The theme of friendship is constant throughout the story.

    At the ranch, the situation appears to be menacing and dangerous, especially when the pair are confronted by Curley—the boss's small-statured aggressive son with an inferiority complex who dislikes larger men—leaving the gentle giant Lennie potentially vulnerable. Curley's flirtatious and provocative wife, to whom Lennie is instantly attracted, poses a problem as well. In sharp contrast to these two characters, the pair also meets Slim, the kind, intelligent and intuitive jerkline skinner whose dog has recently had a litter of puppies. Slim gives a puppy to Lennie.

    In spite of the potential problems on the ranch, their dream leaps towards reality when Candy, the aged, one-handed ranch hand, offers to pitch in with George and Lennie so that they can buy a farm at the end of the month in return for permission to live with them on it. The trio are ecstatic, but their joy is overshadowed when Curley attacks Lennie. In response, Lennie, urged on by George, catches Curley's fist and crushes it, reminding the group there are still obstacles to overcome before their goal is reached.

    Nevertheless, George feels more relaxed, since the dream seems just within their grasp, to the extent that he even leaves Lennie behind on the ranch while he goes into town with the other ranch hands. Lennie wanders into the stable, and chats with Crooks, the bitter, yet educated stable buck, who is isolated from the other workers because he is black. Candy finds them and they discuss their plans for the farm with Crooks, who cannot resist asking them if he can hoe a garden patch on the farm, despite scorning the possibility of achieving the dream. Curley's wife makes another appearance and flirts with the men, especially Lennie. However, her spiteful side is shown when she belittles them and is especially harsh towards Crooks because of his race, threatening to have him lynched.

    Lennie accidentally kills his puppy while stroking it. Curley's wife enters the barn and tries to speak to Lennie, admitting that she is lonely and how her dreams of becoming a movie star are crushed, revealing the reason she flirts with the ranch hands. After finding out that Lennie loves stroking soft things, she offers to let him stroke her hair, but panics and begins to scream when she feels his strength. Lennie becomes frightened, and in the scuffle, unintentionally breaks her neck. When the other ranch hands find the corpse, George unhappily realizes that their dream is at an end. George hurries away to find Lennie, hoping he will be at the meeting place they designated at the start of the novel in case Lennie got into trouble, knowing that there is only one thing he can do to save Lennie from the painful death that Curley's lynch mob intends to deliver.

    George meets Lennie at the designated place, the same spot they camped in the night before they came to the ranch. The two sit together and George retells the beloved story of the bright future together that they will have, knowing it is something they will never share. He then shoots Lennie in the back of the head, so that his death will be painless and happy. Curley, Slim, and Carlson find George seconds after the shooting. Only Slim realizes that George killed Lennie out of love, and gently and consolingly leads him away, while Curley and Carlson look on, unable to comprehend the subdued mood of the two men.

     


    Four.

    The Outsiders

    Written by: S.E. Hinton

    First Published: April 24th, 1967

    Required: 7th Grade

    Ponyboy, a member of the Greasers gang, is leaving a movie theater when a group of Socs jumps him. His older brothers Darry and Sodapop save him. The next night, Ponyboy and his friends Dally and Johnny meet Cherry Valance and Marcia at a drive-in movie theatre. Ponyboy realizes that Cherry is nothing like the Socs he has met before. The Greasers walk Cherry and Marcia home, and Socs Bob Sheldon and Randy Adderson see them and think the boys are trying to pick up their girlfriends. Cherry and Marcia prevent a fight by leaving with Bob and Randy willingly. When Ponyboy comes home very late, Darry gets angry and hits him. Ponyboy runs away and meets up with Johnny. As they wander around the neighborhood, Bob, Randy, and three other drunk Socs confront them. After a Soc nearly drowns Ponyboy in a fountain, a terrified Johnny stabs Bob, accidentally killing him. Ponyboy and Johnny find Dally, who gives them money and a loaded gun and tells them to hide in an abandoned church. They stay there for a few days, during which time Ponyboy reads Gone with the Wind to Johnny and recites the poem "Nothing Gold Can Stay" byRobert Frost.

    When Dally comes to get them, he reveals that the fights between the rival groups have exploded in intensity since Bob's death. Johnny decides to turn himself in, but the boys then notice that the church has caught on fire and several children are trapped inside. When Johnny and Ponyboy rush to rescue them, burning timber falls on Johnny, breaking his back. Dally rescues Johnny. Ponyboy is relatively unscathed and spends a short time in the hospital. When his brothers arrive to see him, Darry breaks down and cries. Ponyboy then realizes that Darry cares about him, and is only hard on Ponyboy because he wants him to have a good future.

    Two-Bit informs Ponyboy that he and Johnny have been declared heroes for rescuing the kids, but Johnny will be charged with manslaughter for Bob's death. He also says that the Greasers and Socs have agreed to settle their turf war with a major rumble. The Greasers win the fight. After the rumble, Dally and Ponyboy visit Johnny and see him die. An overcome Dally rushes out of the hospital and robs a store. When he points is empty gun at the police, they shoot and kill him. Ponyboy faints and stays sick and delirious for nearly a week. While recovering, he tries to convince himself that Johnny is not dead and that he is the one who killed Bob.

    When Ponyboy goes back to school, his grades drop. Although he is failing English, his teacher says he will pass him if he writes a decent theme. In the copy of Gone with the Wind that Johnny gave him before dying, Ponyboy finds a note from Johnny describing how he will die proudly after saving the kids from the fire. Johnny also urges Ponyboy to "stay gold". Ponyboy decides to write his English assignment about the recent events, and begins: "When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newma nand a ride home..."

     

     

    Three.

    A Clockwork Orange

    Written by: Anthony Burges

    First Published: 1962

    Required: 12th Grade

    Alex, a teenager living in near-future England, leads his gang on nightly orgies of opportunistic, random "ultra-violence." Alex's friends ("droogs" in the novel's Anglo-Russian slang, Nadsat) are: Dim, a slow-witted bruiser who is the gang's muscle; Georgie, an ambitious second-in-command; and Pete, who mostly plays along as the droogs indulge their taste for ultra-violence. Characterised as a sociopath and a hardened juvenile delinquent, Alex is also intelligent and quick-witted, with sophisticated taste in music, being particularly fond of Beethoven, or "Lovely Ludwig Van."

    The novel begins with the droogs sitting in their favorite hangout (the Korova Milk Bar), drinking milk-drug cocktails, called "milk-plus", to hype themselves for the night's mayhem. They assault a scholar walking home from the public library, rob a store, leaving the owner and his wife bloodied and unconscious, stomp a panhandling derelict, then scuffle with a rival gang. Joyriding through the countryside in a stolen car, they break into an isolated cottage and maul the young couple living there, beating the husband and raping his wife. In a metafictional touch, the husband is a writer working on a manuscript called "A Clockwork Orange," and Alex contemptuously reads out a paragraph that states the novel's main theme before shredding the manuscript. Back at the milk bar, Alex punishes Dim for some crude behaviour, and strains within the gang become apparent. At home in his dreary flat, Alex plays classical music at top volume while fantasizing of even more orgiastic violence.

    Alex skips school the next day. Following an unexpected visit from P. R. Deltoid, his "post-corrective advisor," Alex meets a pair of ten-year-old girls and takes them back to his parents' flat, where he serves them scotch and soda, injects himself with hard drugs, and then rapes them. That evening, Alex finds his droogs in a mutinous mood. Georgie challenges Alex for leadership of the gang, demanding that they pull a "man-sized" job. Alex quells the rebellion by slashing Dim's hand and fighting with Georgie, then in a show of generosity takes them to a bar, where Alex insists on following through on Georgie's idea to burgle the home of a wealthy old woman. The break-in starts as farce and ends in tragic pathos, as Alex's attack kills the elderly woman. His escape is blocked by Dim, who attacks Alex, leaving him incapacitated on the front step as the police arrive.

    Sentenced to prison for murder, Alex gets a job at the Wing chapel playing religious music on the stereo before and after services as well as during the singing of hymns. The prison chaplain mistakes Alex's Bible studies for stirrings of faith (Alex is actually reading Scripture for the violent passages). After Alex's fellow cellmates blame him for beating a troublesome cellmate to death, he agrees to undergo an experimental behaviour-modification treatment called the Ludovico Technique. The technique is a form of aversion therapy in which Alex receives an injection that makes him feel sick while watching graphically violent films, eventually conditioning him to suffer crippling bouts of nausea at the mere thought of violence. As an unintended consequence, the soundtrack to one of the films — Beethoven's Ninth Symphony — renders Alex unable to listen to his beloved classical music.

    The effectiveness of the technique is demonstrated to a group of VIPs, who watch as Alex collapses before a walloping bully, and abases himself before a scantily-clad young woman whose presence has aroused his predatory sexual inclinations. Though the prison chaplain accuses the state of stripping Alex of free will, the government officials on the scene are pleased with the results and Alex is released into society.

    Since his parents are now renting his room to a lodger, Alex wanders the streets and enters a public library where he hopes to learn a painless way to commit suicide. There, he accidentally encounters the old scholar he assaulted earlier in the book, who, keen on revenge, beats Alex with the help of his friends. The policemen who come to Alex's rescue turn out to be none other than Dim and former gang rival Billyboy. The two policemen take Alex outside of town and beat him up. Dazed and bloodied, Alex collapses at the door of an isolated cottage, realizing too late that it is the house he and his droogs invaded in the first half of the story. Because the gang wore masks during the assault, the writer does not recognise Alex. The writer, whose name is revealed as F. Alexander, shelters Alex and questions him about the conditioning. During this sequence, it is revealed that Mrs. Alexander died from the injuries inflicted during the gang-rape, and her husband has decided to continue living "where her fragrant memory persists" despite the horrid memories. Alexander, a critic of the government, hopes to use Alex as a symbol of state brutality and thereby prevent the incumbent government from being re-elected. Eventually, he begins to realise Alex's role in the happenings of the night two years ago. One of Alexander's radical associates manages to extract a confession from Alex after removing him from F. Alexander's home and then locks him in a flatblock near his former home. Alex is then subjected to a relentless barrage of classical music, prompting him to attempt suicide by leaping from a high window.

    Alex wakes up in hospital, where he is courted by government officials anxious to counter the bad publicity created by his suicide attempt. With Alexander safely packed off to a mental institution, Alex is offered a well-paying job if he agrees to side with the government. As photographers snap pictures, Alex daydreams of orgiastic violence and realises the Ludovico conditioning has been reversed: "I was cured, all right".

    In the final chapter, Alex has a new trio of droogs, but he finds he is beginning to outgrow his taste for violence. A chance encounter with Pete, now married and settled down, inspires Alex to seek a wife and family of his own. He contemplates the likelihood of his future son being a delinquent as he was, a prospect Alex views fatalistically.

     

     

    Two.

    The Rime of the Ancient Mariner

    Written by: Samuel Taylor Coolridge

    First Published: 1798

    Required: 10th Grade

    The Rime of the Ancient Mariner relates the experiences of a sailor who has returned from a long sea voyage. The Mariner stops a man who is on the way to a wedding ceremony and begins to narrate a story. The Wedding-Guest's reaction turns from bemusement to impatience and fear to fascination as the Mariner's story progresses, as can be seen in the language style: for example, Coleridge uses narrative techniques such as personification and repetition to create either a sense of danger, of the supernatural or of serenity, depending on the mood of each of the different parts of the poem.

    The Mariner's tale begins with his ship departing on its journey. Despite initial good fortune, the ship is driven south off course by a storm and eventually reaches Antarctica. An albatross appears and leads them out of the Antarctic but, even as the albatross is praised by the ship's crew, the Mariner shoots the bird ("with my cross-bow / I shot the albatross"). The crew is angry with the Mariner, believing the albatross brought the south wind that led them out of the Antarctic. However, the sailors change their minds when the weather becomes warmer and the mist disappears ("'Twas right, said they, such birds to slay / that bring the fog and mist"). However, they made a grave mistake in supporting this crime as it arouses the wrath of spirits who then pursue the ship "from the land of mist and snow"; the south wind that had initially led them from the land of ice now sends the ship into uncharted waters, where it is becalmed.

    Day after day, day after day,
    We stuck, nor breath nor motion;
    As idle as a painted ship
    Upon a painted ocean.
    Water, water, every where,
    And all the boards did shrink;
    Water, water, every where,
    Nor any drop to drink.
    Here, however, the sailors change their minds again and blame the Mariner for the torment of their thirst. In anger, the crew forces the Mariner to wear the dead albatross about his neck, perhaps to illustrate the burden he must suffer from killing it, or perhaps as a sign of regret ("Ah! Well a-day! What evil looks / Had I from old and young! / Instead of the cross, the albatross / About my neck was hung"). Eventually, the ship encounters a ghostly vessel. On board are Death (a skeleton) and the "Night-mare Life-in-Death" (a deathly-pale woman), who are playing dice for the souls of the crew. With a roll of the dice, Death wins the lives of the crew members and Life-in-Death the life of the Mariner, a prize she considers more valuable. Her name is a clue as to the Mariner's fate; he will endure a fate worse than death as punishment for his killing of the albatross.

    One by one, all of the crew members die, but the Mariner lives on, seeing for seven days and nights the curse in the eyes of the crew's corpses, whose last expressions remain upon their faces. Eventually, the Mariner's curse is temporarily lifted when he sees sea creatures swimming in the water. Despite his cursing them as "slimy things" earlier in the poem ("Yea, slimy things did crawl with legs / upon the slimy sea"), he suddenly sees their true beauty and blesses them ("a spring of love gush'd from my heart and I bless'd them unaware"); suddenly, as he manages to pray, the albatross falls from his neck and his guilt is partially expiated. The bodies of the crew, possessed by good spirits, rise again and steer the ship back home, where it sinks in a whirlpool, leaving only the Mariner behind. A hermit on the mainland had seen the approaching ship and had come to meet it with a pilot and the pilot's boy in a boat. When they pull him from the water, they think he is dead, but when he opens his mouth, the pilot has a fit. The hermit prays, and the Mariner picks up the oars to row. The pilot's boy goes crazy and laughs, thinking the Mariner is the devil, and says, "The Devil knows how to row." As penance for shooting the albatross, the Mariner, driven by guilt, is forced to wander the earth, tell his story, and teach a lesson to those he meets:

    He prayeth best, who loveth best
    All things both great and small;
    For the dear God who loveth us,
    He made and loveth all.

    After relating the story, the Mariner leaves, and the Wedding Guest returns home, and wakes the next morning "a sadder and a wiser man".

     

     

    One.

    The Giver

    Written by: Louis Lowry

    First Published:1993

    Required: 7th Grade

     

    Jonas, like the other Elevens (other children of the age Eleven), is apprehensive about the upcoming Ceremony of Twelve when he and his peers will be given the jobs they will hold for the rest of their adult lives in their immaculately-organized, tightly-run society known only as the "Community." In the Community, eccentricities in behavior, appearance, or personality are strongly opposed — even outlawed. However, the rules appear to be readily accepted by all, including Jonas. So it is without real protest that he initially accepts his selection as the Receiver of Memory, the keeper of all ancient memories, a job he is told will be filled with pain and the training for which will isolate him from his family and friends forever.

     

    Yet, under the guidance of the present Receiver, who is a surprisingly kind man, a man who has the same rare, pale eyes as Jonas, the boy absorbs memories that induce for the very first time feelings of true happiness and love. Also, for the first time, Jonas knows what it is to see colors, to feel sunshine or see a rainbow, and to experience snow and the thrill of riding a sled down a hill. But then he is given the painful memories: the wars, the pain, death, loneliness, starvation. These are memories of the Community's deep past. Jonas learns that the Community engineered a society of sameness to protect its people against this past, yet he begins to understand the tremendous loss he and his people have endured by giving their memories away and becoming "sameness".

     

    Jonas aches with this new-found wisdom and his desire for a life Elsewhere blossoms. But the final blow for Jonas comes when the Receiver, who now calls himself "The Giver," makes him to watch a present-day tape of his own father, a seemingly kind and loving man, "releasing" a baby twin by giving him a lethal injection. Like any other "aberration" from sameness, identical twins are against the rules, so the smaller of the two is dispatched like garbage, without the one who conducted the release understanding the true meaning of the action. Together, Jonas and the Giver come to the understanding that the time for change is now, that the Community has lost its way and must have its memories returned. The only way to make this happen is if Jonas leaves the Community, at which time the memories he has been given will flood back into the people. Jonas wants the Giver to escape with him, but the Giver insists that he will be needed to help the people manage the memories, or they will destroy themselves. The Giver also wants to remain behind so that when his work is done, he can be with the child he surprisingly refers to as his "daughter": Rosemary, a girl with pale eyes who ten years earlier had failed in her training to become the new Receiver of Memories and who had asked to be released (she became too overwhelmed with the memories of pain).

     

    The Giver devises a plot in which Jonas will escape to Elsewhere and the Giver will make it appear as if Jonas drowned in the river so that the search for him will be limited. In the meantime, the Giver will give Jonas memories of strength and courage to sustain him and save up his meals as Jonas' food supply for his journey.

     

    However, their plan is changed when Jonas learns one night that the baby, Gabriel, a "newchild" who has been staying with his family unit because of his failure to thrive "correctly" in the Nurturing Center, will be "released" the following morning. Jonas has become connected to this child — coincidentally, the baby also has the same, rare pale eyes as both Jonas and the Giver, and had been absorbing the memories Jonas received by back rubs each night — and now that Jonas knows the true meaning of "release," he has no choice but to escape as planned but with Gabriel. And so without the memories of strength and courage promised, and without even a goodbye to the Giver, Jonas steals his father's bike and leaves with the baby to find Elsewhere, an unknown land that exists somewhere beyond the boundaries of the Communities, a place where nobody he knows has ever gone. Their escape ride is fraught with dangers of cold and hunger, and the two are near death from cold and starvation when they reach the border of what Jonas believes must be Elsewhere, and using his ability to "see beyond," a gift that he does not quite understand, he knows there is a sled waiting for him when he gets to the top of the hill. There is indeed, and he and Gabriel ride the sled down the snowy hill toward a house filled with colored lights and warmth and love and a Christmas tree, and for the first time he hears something he knows must be music. The book ends abruptly and mysteriously here with these final two sentences: "Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps it was only an echo."

     

    There you have it. The five best things PISD made me read as a child. The Giver remains to be my favorite book of all time.

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